By Ted Nannicelli
Recently, students in a number of disciplines—including philosophy, movie and media stories, and literary studies—have develop into attracted to the aesthetics, definition, and ontology of the screenplay. To this finish, this quantity addresses the elemental philosophical questions on the character of the screenplay: what's a screenplay? Is the screenplay art—more in particular, literature? what sort of something is a screenplay? Nannicelli argues that the screenplay is a type of artefact; as such, its barriers are made up our minds jointly via screenwriters, and its ontological nature is decided jointly through either writers and readers of screenplays. Any believable philosophical account of the screenplay needs to be strictly restricted by way of our collective artistic and appreciative practices, and needs to realize that these practices point out that at the least a few screenplays are artworks.
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Additional resources for A Philosophy of the Screenplay (Routledge Studies in Contemporary Philosophy)
A Philosophy of the Screenplay (Routledge Studies in Contemporary Philosophy) by Ted Nannicelli